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數位打擊樂器

GM Percussion Patches and Instrumentation
GM 打擊樂器音色與配器法

音樂五要素:旋律、和聲、節奏、配器 、曲式。 加上數位科技。

Percussion 打擊樂器分組

Drum Kit 爵士鼓組

Drum kit

GM 打擊樂器配置表

General MIDI Percussion Key Map

On MIDI Channel 10, each MIDI Note number ("Key#") corresponds to a different drum sound, as shown below. GM-compatible instruments must have the sounds on the keys shown here. While many current instruments also have additional sounds above or below the range show here, and may even have additional "kits" with variations of these sounds, only these sounds are supported by General MIDI.

Key# Drum Sound              Key#    Drum Sound
35      Acoustic Bass Drum      59      Ride Cymbal 2
36      Bass Drum 1                  60      Hi Bongo
37      Side Stick                      61      Low Bongo
38      Acoustic Snare              62      Mute Hi Conga
39      Hand Clap                     63      Open Hi Conga
40      Electric Snare                64      Low Conga
41      Low Floor Tom             65      High Timbale
42      Closed Hi Hat                66      Low Timbale
43      High Floor Tom             67      High Agogo
44      Pedal Hi-Hat                  68      Low Agogo
45      Low Tom                      69      Cabasa
46      Open Hi-Hat                  70      Maracas
47      Low-Mid Tom               71      Short Whistle
48      Hi Mid Tom                   72      Long Whistle
49      Crash Cymbal 1             73      Short Guiro
50      High Tom                      74      Long Guiro
51      Ride Cymbal 1               75      Claves
52      Chinese Cymbal             76      Hi Wood Block
53      Ride Bell                        77      Low Wood Block
54      Tambourine                   78      Mute Cuica
55      Splash Cymbal               79      Open Cuica
56      Cowbell                         80      Mute Triangle
57      Crash Cymbal 2             81      Open Triangle
58      Vibraslap

GM 打擊樂器的五線譜與音色

 

GM 打擊樂器的音色

Your browser does not support the audio element. 你的瀏覽器不支援 Html5 音訊。

TX Drum Map Library for Overture 鼓譜設計

編曲時,不會用到所有128種打擊樂器,而宜重新編鼓譜。

連結是使用 Overture (不可直接在網頁開啟,必須按右鍵下載)編曲時,統雄老師所編的常用鼓譜,提供自由下載。


打擊樂器的範例

爵士鼓組的各級技巧

小鼓、大鼓

定音鼓、爵士鼓

馬林巴木琴、高音木琴、鐘琴、顫音鐵琴

管鐘

響板、三角鐵、玲鼓、刮葫

鈸、鑼

木魚、板拍、單皮鼓、堂鼓


實體打擊樂器:包山包海、俯仰拾得

除了以上 GM 與各民族固有打擊樂器,實體打擊樂器可謂:包山包海、俯仰拾得,亦即任何物件均可作為打擊樂器,甚至自己打自己,如【彈指】,也是打擊樂器。

各種實體打擊樂器,還可以繁衍成家族。

變身樂器‧非樂器

其中許多都是打擊樂器。

洗衣版打擊樂器

是廣義 Guiro 刮葫(西班牙語:güiro,也譯刮瓜或刮壺)的一種。 


打擊樂術語

Attack : The volume and intensity exuded by a drum when the stick or beater first comes in contact with the head

Bass drum : Usually the largest drum in the set with sizes usually in the range 18"-24".  The bass drum is played by a foot pedal with a beater generally striking the middle of the head to create a staccato "thud" sound; in popular music the bass drum is typically played on the first and three beat of a four-beat measure to contrast with the snare drum playing on the second and fourth beats; also known as a "kick drum"

Bell : The center portion of a cymbal that is higher pitched and distinct; typically only a few inches wide; often the bell of the ride cymbal is played on a chorus to raise the intensity of a song

China/Chinese Cymbal : A cymbal struck in a similar manner to the crash, but achieving a harsh, "trashier" sound that helps create a discordant moment in the music; often placed upside down, sizes range from 14" – 22" or higher, but average sizes are 16" – 18"

Conga : A common hand drum native to Latin music that has increasingly been adopted into popular music and culture, the conga can be played to acheive several different tones; often mistaken with its younger brother, the "bongo," congas are much larger, averaging a 30" height and three different widths: quinto (11"), conga (11 3/4"), and tumba or tumbadora (12 1/2"), and is made from wood or fiberglass

Crash : A cymbal that is struck to create an explosive "crash" sound for emphasis or to indicate a transition in a song; sizes range from 13" – 20" or even higher, but average sizes are 16" – 18"; not uncommon to see two or more in a drum set

Djembe : A hand drum native to Africa that has two or more distinct tones – a high pitched "crack" toward the outer rim and a boomy bass tone toward the center; ranges in size from 14" – 20" with the average being 14" or 16"; authentic djembes, worn strapped to the body (or more recently attached to a stand), come with animal-skin heads, but those produced by major companies (the most prolific of which being REMO) use man-made materials

Double bass pedal : A bass drum pedal that has two beaters, each operated by a different footboard; commonly used in heavy metal and other types of fast and loud music, although double bass is being commonly absorbed into various types of popular music as time progresses; used to play more bass drum notes faster than would be achieved by a single pedal

Floor tom : A larger, deeper drum usually held up by three metal "legs;" often set to the right of the bass drum; also known simply as "floor"

Hi-hat : The hi-hat is used the most frequently out of all the cymbals; it is comprised of two small cymbals – the bottom turned upside down on a stand and the top

Kick drum : see bass drum

Key : A universally-sized, small metal tool used to crank lug (tuning) screws in order to tighten or loosen the head; also used to tighten or loosen parts of hardware

Kit : A synonym for drum set, "drum kit"

Lug : The pieces of hardware typically drilled into the drumshell that receives the "lug screw" that is pulled threw the drum rim; ultimately the end part of the mechanism that holds the head in place

Pedal : A mechanism operated by stepping down on a footboard to propel a beater toward the head of the bass drum to create a note.  Known as bass drum pedal, bass pedal, or kick drum pedal; also see Double bass pedal

Piccolo : A snare drum with a shallow depth, often no larger than 3" – 4.5".  Width may still be as large as 14"

Popcorn snare : A newer-style snare drum with a quick, high-pitched note.  Known for its attack and volume

Rack tom : see tom tom; also referred to as "rack," but not to be confused with a rack system that holds drum and cymbal arms

Ride cymbal : Typically the largest cymbal on a set, it is tapped to create a "ping" sound; often utilized to raise the intensity of a song on choruses or bridges; ranges in size from 18" – 24" with the average and most common being 20"

Set : A synonym for drum set or drum kit

Shell: The drum itself, minus any hardware, rims or heads; typically comprised of maple, birch, mahogany or some other type of wood

Snare : The primary component of the drum kit, the snare is probably the most played drum of the whole set.  It achieves the "crack" sound that, in popular music, is usually played on the second and fourth beat of a measure.  The average snare is 14" wide, although 12 & particularly 13" drums are becoming increasingly prevalent as main snares.  Depths fall generally in the ranges 3"– 4-5" (called a Piccolo), 5" – 5.5" (standard), and 6" – 12" (deep).  Average depth is 5" – 6.5"

Splash : A smaller version of a crash cymbal used for different types of emphasis; ranges in size from 6" – 12"

Spurs : The two side "feet" on a bass drum that keep it stabilized on the floor and raised just slightly off the ground; these are typically loosened and placed closer in to the drum when moving the bass drum

Sustain : How long the drum resonates after the head is struck

Tom tom : Drums that are normally seen mounted above the kick drum usually with head sizes in the ranges 6" - 18."  Typically used for fills or patterns; also known as "rack toms"

Throne : The seat or stool on which a drummer sits; also known as "drum throne"

Trap set : An older term for "drum set," rarely used anymore

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音樂美學

詞曲創作理論

Music Aesthetics

Song Composition Theory

音樂知識美學 TX Aesthetics of Music
  音樂格律的破立    Music Grammars & Creativity
  譜曲的美學探索   Case Study on TX Music Aesthetics
歌曲創作理論與 旋律分析 Composition Theory and Melody Analysis of Songs
歌曲賞析 Comparative Analysis of Songs
歌劇賞析:莫札特 Analysis of Operas: Mozart
歌詞創作 Verse Analysis and Composition

樂理基礎

Fundaments

音樂要素/藝術與科技
創作分析架構
Aspects of Music: Art with Tech
Composition Analysis Framework
MIDI要素 Aspects of MIDI
基礎樂理 Music Grammar Basics
總譜:軟體與音源 Score of the Music: Overture and Synth
  Overture 記譜法‧頻道視窗設定    Digital Notation Methods‧Tracks Windows Settings 
  命令列與小節設定     Command Bar and Measuers Settings 
  數據檢視//圖形視窗/琴軸檢視   Data View//Graphic Window/Piano Roll View
  和弦控制版//和弦視窗與和弦設定/   Chords Window and Chord Input //Tools Panel-Chords Section
  歌詞視窗//歌詞控制版   Tools Panel- Lyrics Section//Lyrics Window
  發音技巧   Articulations

編曲

Arrangement

曲式
Form Design
  多樂章曲式   Multi Movement Forms
  範例分析:給愛麗絲    Exam: Fur Elise  
和聲:共鳴與自然音階 Acoustic Music and Natural Scales
  調律與數位音階   Temperament and Digital Scales
  調與調式音階   Keys, Modes and Modal Scales
  顯波學與癒療音階   Cymatics, Kymatica and Medicinal  Scale
  藍調與特色調式音階   Blues and Genre Modes
  和弦分析   Chord Analysis
  代理/轉位/人聲和弦   Substitute, Inversed, Human Chords
  和弦進行提要   Chord Progression Design
  終止型與級進進行   Cadence and Stepwise Progression 
  大調/小調和弦進行   Major/ Minor Mode Chord Progression
  轉調‧藍調和弦進行   Modulation, Blues, Modal Chord Progression
  和弦演奏與名曲和弦進行示範   Demos of Popular Works
  全曲和弦進行綜合設計與實作    Total Chord Progression Design and Practice 
  對位    Counterpoint Design
節奏/4拍 Rhythm Analysis and Design/ 4-Beat
   3拍/2拍/混合拍   3-Beat, 2-Beat, Fusion 
  節奏模組,節奏動感搖梗    Rhythm Patterns, Groove Rhythm 
  全曲節奏綜合設計與實作   Total Rhythm Design and Practice 
配器 Instrument Arrangement
  數位樂器   Digital Instruments
  音階樂器與 GM   Melodic Instruments and GM Patches
  打擊樂器與 GM   Percussion and General MIDI Patches
   TX 結構意涵取向配器法   TX Structural-Contextual Approach Instrumentation 
  GM 民族樂器‧跨文化樂器配器   Ethnic Instrumentation: GM Ethnic, Cross-cultural
  民族樂器配器:中華民族樂器   Ethnic Instrumentation: Chinese
     看見聲音:《韓熙載夜宴圖》      Seeing Sounds: The Night Revels of Han Xizai
  創意配器:中華現代樂器   Creative Instrumentation: Modern Chinese
  創意配器:演化樂器   Creative Instrumentation: Evolving
  創意配器:變身樂器   Creative Instrumentation: Transforming
  人聲樂器:聲樂   Vocal Instrumentation
  人聲樂器的變化   Variants of Vocal/ Human Voices
  全曲配器綜合設計與實作    Total Instrumentation Design and Practice 
襯音、即興與變奏 Fill in and ad lib Design
編曲收成與輔奏 Finishing up: Prelude, Interlude, Postlude
  編曲收成、輔奏與列印輸出實作    Design and Practice of Total Finishing up and Output
變格作曲與變格編曲 Alternative Composition Theory and Arrangement Methods 
演奏/創意與詮釋 Performance/Creative & Interpretive
音樂流派的知識分類法 Methodology for Genres Taxonomy
流派-音樂分佈圖/展示 Genre- Music Map/Demo

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MIDI製作

MIDI Production

Sonar 設定 Sonar Settings
錄音與後製-Midi Midi Editing & Post Production- Midi Notes
合成/轉化/輸出音軌 Bounce and Export
錄音與後製-數位聲音 Wave Editing & Post Production- Digital Audio
混音自動化 Mixing and Automation
等化與雜訊處理 Equalization
特效設計 Special Effect Featuring
總控與輸出 Mastering and Converting Output

範例練習

Demo & Exercise

統雄作品選 Selection of Sean TX Wu's Work
相逢 Encounter
媽媽的愛心 Mother's Love

進階論題

音樂與文化,科學,資訊科技

Advanced

Music and Culture, Science, Information Technology
音樂創作研究科學方法 Scientific Research Methods in Music Composition
音樂創作知識管理 Scientific Research Methods in Music Composition by Information Technology

數位音效

Digital Sound Effect

光碟標籤與包裝設計 Design of CD's Label and Package

實作與活動

Lab and Activities

臺大數位音樂實驗室 NTU Midi Lab
   實驗室發展歷程    Chronicle of NTU Midi Lab
吳統雄數位音樂 研究目錄 Listing of Research Papers by Sean TX Wu
吳統雄數位音樂作品目錄 Listing of Digital Music Works by Sean TX Wu

創用 CC 授權條款此作品衍生自【統雄網路社群 TX Web Community】,由吳統雄 Sean TX Wu 製作,以創用CC 姓名標示-非商業性-相同方式分享 3.0 Unported 授權條款釋出。此條款的授權同時適用於 http://tx.liberal.ntu.edu.tw 下,與 http://tx.shu.edu.tw 下,除特別標明外,所有媒體形式之著作物。
本網群為公益服務,瀏覽者須接受以下聲明,方可瀏覽。著作權聲明-Copyright © 吳統雄:申請引用資訊-免責聲明-鳴謝:本網路社群之開發曾受國內外機構、包括臺灣大學補助。
Copyrights of TX Web Community 統雄社群著作權聲明 This is a public service web community under a "Creative Commons" license, you have to accept the following statements before entering. Copyright © Sean TX Wu, All Rights Reserved, Request for Citation, Disclaimer, and Acknowledgement.
內容網站:提供與分享各種知識、資訊、作品。互動群組:社員可以討論、展示、交流、企畫、分工、管理、投票決策。合作群組:Web2.0的民主自治精神,社員可以參與決定群組的內容與表現形式。

吳統雄的音樂-Sean TX Wu's Music  笑話中學美語-Humor and American English Learning   私人來信-Write a private mail to Sean TX Wu  留言與討論 Leave Comments/ Forum 吳統雄的相簿-Sean TX Wu's Album

只在「統雄社群」內查詢以下主題 Search in TXCommunity

統雄網群的Google排行本站Google排行榜‧全球冠軍
取用模式研究國際團隊 Adoption Modeling International Research Team 合作群組取用模式
國際研究群
吳統雄的研究、教學、與作品 Sean TX Wu's Research, Teaching and Art Works 內容網站第3類知識
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互動群組資訊管理
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投票行為、選舉預測與其他行為研究 Election Prediction and Other Behavioral Research 內容網站選舉行為
互動群組其他專題
第3類知識 The 3rd Knowledge 合作群組接龍實驗
互動群組招親實驗
互動群組公投實驗
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年度20大點播音樂

偶然
金蟠桃
水調歌頭
請你,天明再離開我
點燭
別離
挖呀挖
稚情(嫦娥)
天亮歌
願意
墟
思念
華靈廟
Panda
團團和圓圓

相逢
媽媽的愛心
從此
笑笑歌
幕落(必然)
上山打野狼

研究與講義目錄

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統雄-統計神掌 因素分析篇
性幻想行為簡說:格雷的五十道陰影
作業流程圖範例
UML
:統一塑模語言與流程圖

信度與效度分析
統雄-統計神掌 共變數分析篇
統雄-統計神掌 調節模型篇
統雄-統計神掌 多元迴歸篇
投考-甄試研究所之自傳秘笈
統雄-統計神掌簡單迴歸/相關分析
統雄-統計神掌 變異數分析篇
MIS:管理資訊系統
多氯聯苯大追兇
和聲與和弦進行設計
統雄-統計神掌SPSS篇
統雄-統計神掌中介模型分析篇
學術論文寫作法
統雄-統計神掌因素效度分析篇
研究所甄試之研究計畫秘笈
統雄-統計神掌多變項精華篇
問卷設計流程圖-範例
電子郵件亂碼的解決
統雄-統計神掌易筋經
定量方法對定性方法
統雄-統計神掌因徑/結構方程模型1
六藝:多元學習的詮釋與實踐
個案研究法/參與觀察法
文獻研究法
和聲與和弦分析
實驗法、準實驗法
歷史記錄

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網路使用行為研究方法
視訊後製作程序
爸爸
大學青年‧網路雜誌
網頁3大基本語言與編輯軟體
科學知識產生的程序
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